Goh Beng Kwan

Hard and Soft, 2006

Edition of 12

Photo etching with kozo paper chine colle on STPI handmade white cotton paper

61 x 52 cm

Nature is a big art studio. It’s full of unlimited material for art – trees, mountains, the sea. Everywhere I look, I see a painting. Take Picasso for example. He eats a meal, and can create art from the fish bones on a plate

About the work

A nostalgia for ‘unspoilt Nature’ in the face of urbanisation began to be discernible in Goh’s landscapes of the 1970s and 1980s. Goh’s collage Dune won the first prize in the UOB Painting of the Year in 1982, and much acclaim was to follow. For his contribution to the visual arts, Goh was honoured with the Cultural Medallion in 1989. He is today regarded as one of the vanguard artists of a generation that shaped modern art history in Singapore.

    Goh Beng Kwan

    Goh Beng Kwan

    Goh Beng Kwan was born in 1937 in Medan, Sumatra, Indonesia and resettled in Singapore in 1945. His formative studies under pioneer masters Dr. Chen Wen Hsi (1906-1992) and Cheong Soo Pieng (1917-1983) in the 1950s instilled in him an abiding appreciation of Asian art traditions.

    Under an Allen Tucker Scholarship, then the Ford Foundation Scholarship, Goh pursued his art education at the reputed Art Students’ League of New York (1962-63) and Provincetown Workshop, Massachusetts (1964). Goh’s art underwent radical shifts. He was initiated into collage by the renowned collagist Leo Manso (1914-1993), and registered a renewed sense of his Chinese and Peranakan ancestries, which he began to reference in his works.

    Goh returned to Singapore in 1966 and in the ensuing decades emerged as an outstanding collagist and a pivotal figure of modern art in Singapore. He introduced an astonishing range of materials into art-making including tea-wrappings, acupuncture diagrams, nails, strings and sand. His broadening of the boundaries of what were acceptable artists’ resources was enormously influential on successive generations of mixed media artists.

    A nostalgia for ‘unspoilt Nature’ in the face of urbanisation began to be discernible in Goh’s landscapes of the 1970s and 1980s. Goh’s collage Dune won the first prize in the UOB Painting of the Year in 1982, and much acclaim was to follow. For his contribution to the visual arts, Goh was honoured with the Cultural Medallion in 1989. He is today regarded as one of the vanguard artists of a generation that shaped modern art history in Singapore.