Past Public Programmes
Screenprinting & Flocking | Layers of Identity
05.09.2026 — 09.09.2026
Ongoing Solo Exhibition
Eko Nugroho: STRANGE MONSTER VIEW
22.08.2026 — 10.10.2026
Past Public Programmes
Artist Talk | Eko Nugroho and John Tung in Dialogue
22.08.2026
Ongoing Public Programmes
Guided Tours: Eko Nugroho: STRANGE MONSTER VIEW
22.08.2026 — 10.10.2026
Upcoming Public Programmes
Mokulito | Mundane Monsters
26.09.2026 — 07.10.2026
Upcoming Public Programmes
Street Art Special: Outside the Lines
30.09.2026
Eko Nugroho
ABANDONED DYSTOPIAN MONUMENT
Price on Request
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Udomsak Krisanamis
About Me Every Night
Price on Request
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Pacita Abad
Wild thing I think I like it
Price on Request
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Rirkrit Tiravanija
Untitled 2022 (selfrotorelief no. 1)
Price on Request
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Han Sai Por
Wild Land
Price on Request
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Regarded as one of the leading print workshops globally, STPI supports the work of artists through experimentation. At STPI, we see ourselves as collaborators rather than traditional printmakers or papermakers. Our workshop operates like an open kitchen: we have our standard menu of techniques and equipment, but we are always ready to adapt and experiment. Whether a work on paper or something entirely unexpected, our focus is on problem-solving alongside the artists to bring their vision to life.
Daily Practice
Daily Practice: Ho Tzu Nyen
Daily Practice invites art-world creatives to share the habits and rituals that sustain their creative lives, with questions written by artist John Clang, whose practice adopts the ancient Chinese divinatory art of zi wei dou shu.
Ho Tzu Nyen • 11.09.2026
World View
Do Ho Suh’s Intimate Architectures of Transition
Do Ho Suh talks to Mandy Merzaban about the gestural act of rubbing, unpacking tactile layers of seeing and remembering that have underpinned his practice of remaking home across time and space.
Mandy Merzaban • 28.08.2026
Spotlight
Tek Bir Mukhiya: An artist who helped shape Nepal’s visual modernity
Bishal Yonjan examines the print legacies of Tek Bir Mukhiya in Nepal, charting his illustrious career in publication and typography design through thousands of meticulously crafted book covers.
Bishal Yonjan • 07.08.2026
Exhibition Notes
Zarina: A Poetry Anthology
From artwork titles to catalogue excerpts, Sarah Burney indexes the array of poetic verses that have left indelible marks on Zarina's life and work, exploring the dynamic relationship between word and image in her lettered prints.
Sarah Burney • 24.07.2026
Spotlight
Material Encounters from Zarina's Studio
Sarah Burney takes an intimate look at the tools and materials behind Zarina's visceral works—from her delicately carved woodcuts to her evocative paper sculptures—illuminating the printmaker's kinship to material and process.
Sarah Burney • 17.07.2026
World View
Salima Hashmi: ‘The worse things are, the better the art becomes’
In a world increasingly hostile to art, Salima Hashmi speaks to Rirkrit Tiravanija on the enduring role of artists in conjuring new possibilities and making room for the intrepid.
Rirkrit Tiravanija • 26.06.2026
Street View
Udomsak Krisanamis's Chiang Mai
Street View invites inspiring figures from art and culture to paint personal portraits of their home cities, with questions written by Singapore-based artist Heman Chong tapping into secrets, sounds, songs, tastes, smells and superstitions.
Udomsak Krisanamis • 12.06.2026
One Work
Print that Post: On Hồ Chí Minh’s Anti-Colonial Memes
Stephanie Bailey traces the parallels between the circulation of revolutionary pamphlets and contemporary memes in anti-imperialist movements across the ages.
Stephanie Bailey • 29.05.2026
Perspective
Post-Propriety Print
Al Hassan Elwan, founder of POSTPOSTPOST, envisions a radical future for independent publishing amid digital spaces dominated by AI slop and social media algorithms.
Al Hassan Elwan [POSTPOSTPOST] • 08.05.2026
Daily Practice
Daily Practice: Rirkrit Tiravanija
Daily Practice invites art-world creatives to share the habits and rituals that sustain their creative lives, with questions written by artist John Clang, whose practice adopts the ancient Chinese divinatory art of zi wei dou shu.
Rirkrit Tiravanija • 20.04.2026
Spotlight
Ursula K. Le Guin’s Maps to Future Worlds
Explore the vast terrains of Ursula K. Le Guin's fictional realms and their inhabitants as Sin Wai Kin delves into the map drawings that defy contemporary understanding of language, society and the world hitherto.
Sin Wai Kin • 27.02.2026
Perspective
In Pain and Joy, a Portrait of All Selves: Pacita Abad at STPI
Delve into how Pacita Abad's mark-making process embodied her kaleidoscopic journey of self-expression, fostering catharsis and connection with the simple motif of the circle.
Matthew Villar Miranda • 10.04.2026
Spotlight
Shiraz Bayjoo on the Afterlives of Print
Dive into how Shiraz Bayjoo negotiates botanical histories steeped in legacies of colonialism, using print to revisit the collective memory and living traditions of indigenous communities.
Mandy Merzaban • 20.02.2026
One Work
Sin Wai Kin’s Painterly Prints
Explore how Sin Wai Kin uses the body as a site of mark-making and transformation, where face prints and performances blur identity, gender and narrative to create a queer, ever-shifting universe.
Stephanie Bailey • 23.01.2026
