Uncover the beauty of negative space in this monotype printmaking class!

This hands-on session will introduce participants to the reduction technique, where ink is removed, rather than added, to create the final image. 

Capture spontaneous gestures on a printing plate as you wipe or brush away the ink to create unexpected patterns. Participants will take home unique prints which reveal the unpredictability of mark-making.

Presented on the occasion of the 60th anniversary of diplomatic relations between Singapore and Thailand, Forms of Encounter brings together six leading voices in contemporary art: Heman Chong, Charles Lim Yi Yong, Pinaree Sanpitak, Rirkrit Tiravanija, Natee Utarit, and Suzann Victor.  

Each artist has, in their own way, shaped the contours of contemporary art practice—whether through conceptual rigour, material innovation, or sustained influence within and beyond their cultural contexts. Developed through individual residencies at STPI, the works on view reflect the depth of engagement that each artist has shared with the workshop, bringing into focus the different ways in which artistic inquiry unfolds when supported by time, technique, and space for experimentation. 

Across the exhibition, correspondences emerge gradually. Some works trace the residue of spaces, gesture or memory; others pare down language into sign, rhythm, or delay. The impression is one of proximity rather than sameness—parallel intensities each shaped by a distinctive sensibility that underscores a shared commitment to the rigour of making. A subtle dialogue emerges between the works, not through convergent themes, but through a common attention to process. These are practices grounded in material inquiry: folding, layering, staining, casting, and imprinting. Surfaces are worked and reworked to uncover what might appear through repetition, resistance, or the unexpected behaviour of a substrate. 

In this respect, resolution is found in the layered experience of the exhibition itself, in the way the works reveal different facets in proximity, each encounter building upon the last. Across gestures, surfaces, and temporalities, meaning accrues gradually, shaped by attention and sustained looking. Here, Forms of Encounter speaks not only to the coming together of discrete practices, but also to the manifold ways in which art engages: as process, as presence, as relation.  

– John Z.W. Tung, exhibition curator

Click here for the press pack.

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